CN-E24mm T1.5 L F
CN-E50mm T1.3 L F
CN-E85mm T1.3 L F
The Cinema EOS C500 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.
Cineroid Interchangeable Tungsten/Daylight On-Camera LED Light
Smaller, lighter and 2X more powerful, again.
The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K.
ABonAir’s AB320HD is a top-of-the-line wireless video system enabling camera teams to send video
content directly from a camera to a news truck, over the air, without complexity and time-consuming
tasks of cable connections.
2.5K digital film camera with super wide 13 stops of dynamic range for a true film look! Includes DaVinci Resolve!
Introducing the new Canon Cinema EOS C300 (Canon EF Lens Mount) and Cinema EOS C300 PL ( PL lens mount) - Canon's first Digital Cinema camcorders.
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture.
The camera-mountable broadcast monitor is available in a choice of two configurations and is ideal for HD-SLR production. A 6” x 4” x 1” lightweight magnesium-alloy case houses a 5.6” 1280x800 LED backlit LCD display, hosting a range of features already familiar to its larger counterparts within the TV Logic range.
The Zeiss ZF.2 SLR 5-Lens Bundle is a treasure trove of high-quality, fast Zeiss optics that can deliver superb still or video image quality, even under challenging low-light conditions. These manual focus Zeiss ZF.2 lenses come with a Nikon F bayonet mount.
Building on the unparalleled success of the Sony PMW-EX1/R, the PMW-200 is the first handheld camera in its class to be equipped with three large, newly developed 1/2-inch Exmor CMOS sensors which provide excellent sensitivity and depth of field characteristics. Recording in Full HD 422 at 50 Mbps, the PMW-200 offers exceptional performance, operational versatility and workflow efficiency.
High-Powered Lens, High-Sensitivity Sensor and high-quality Full HD 10 bit 4:2:2 recording.
Shoulder-type performance in a handheld camera for Broadcasting and Production work.
Carte P2 32 Gb included
The NXCAM NEX-FS100E Super 35mm camcorder has been developed specifically for shooting truly stunning images at low cost.
The Kessler CineSlider™ is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds.
The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX models.
The Panasonic AG-AF101 is an interchangeable-lens digital video camera that takes Micro Four Thirds lenses. Demonstrated to attendees at the Panasonic stand at IBC. The Panasonic AG-AF101 has a Four Thirds MOS sensor optimised for HD video recording. The camera can record video in Full HD (1080i/p)/720p formats including 1080/24p native mode with Full HD Variable Frame Rate function.
The revolutionary Ninja is a portable touchscreen Professional 10bit HD Recorder, Monitor, & Playback device that captures pristine video and audio direct from any camera with a clean HDMI output.
The AJ-HPX3000 is the industry's first native 1080p one-piece camcorder to capture master-quality high definition video. Featuring three 2/3" high density 2.2 million pixel CCDs, the HPX3000 acquires cinema-quality images in full-raster 1920 x 1080 resolution with 4:2:2 10-bit sampling using the advanced AVC-Intra codec.
The AJA Ki Pro is a tapeless video recording device that records high-quality Apple ProRes 422 QuickTime files onto computer-friendly media. Because it features SD/HD-SDI, HDMI, and analog inputs, you can interface with virtually any type of camera you might own or rent.
ALEXA Basic Camera Set
A 35 format film-style digital camera with an electronic viewfinder and an exchangeable lens mount (ELM). Outputs HD-SDI or ARRIRAW T-link on BNC connectors. Speed: 0.75 to 60 fps. Electronic shutter: 5.0° - 358.0°. Can be upgraded with the ALEXA DTE-SxS Upgrade (K2.72024.0) to record QuickTime/ProRes files onto SxS PRO cards.
Low cost miniature 3G/HD/SD-SDI 4 to 1 Quad Split or
Down-converter with 4 to 1 input multiplexer.
• Your choice of either a NTSC or PAL output
• 4 x 3G/HD/SD-SDI inputs with auto detection
(26 Formats supported in total)
• All 4 inputs or a selected input displayed on a single Composite and SD-SDI output
• Low latency buffering for each input allowing
• Each quadrant is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously
• Variable aspect ratios per quadrant
New generation 2/3 inch standard focal length ENG lens with ergonomic digital servo,Quick Zoom and rear focusing group. Rear control for zoom with SRD-92B.
Telephoto 2/3 inch ENG lens with ergonomic digital servo, Quick Zoom,and inner focus.
Complete teleprompter package including free teleprompter software. Designed for reading ranges of up to 6m (20 ft).
Wireless Multiplex Terminal™ (WMT) is a box that bundles several mobile channels (HSPA, UMTS, GPRS, LTE) of one or multiple operators into one broadband channel. The solution has been designed to take existing wireless uplink barriers. The available bandwidth is dependent on the coverage of the mobile networks and network technology (2.5G/3G/3.5G/4G) at the location. Typically the upload capacity with WMT is between 500 and 3500kbps.
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Council of Europe in Brussels
Axis-One was selected for upgrading of the TV studio to high definition: technical design and preparation of drawings, implementation of equipment, execution of wiring & silkscreen printing.
The job starts on March 19 th and ended successfully in a live test on May 22 th during the European summit.READ MORE >>
September 2012, TELEVESDRE moves into its new buildingREAD MORE >>
This 14 October for elections jobs, Axis-One provided for the main television channels filming and transmission equipmentREAD MORE >>
Let's party 2012
Thank you for allREAD MORE >>